
 
			  
 
Black lacquered ashwood Ladderback chair with upholstered seat. Seat in expanded polyurethane foam upholstered with fabric or leather.
MC-C-1202
				Height: 55¼"
 
		Depth: 13¾"
 
		Width: 16½"
  	
		Seat Height: 17¾"
  	
		  	
		        Weight: 26 lbs.
	
| COM | $2,440 | 
| Fabric 1 | $1,870 | 
| Fabric 2 | $1,940 | 
| Leather 1 | $1,916 | 
| Leather 2 | $1,940 | 
| Leather 3 | $1,963 | 
Add $15 net packing charge

Jet fabric by Fidivi. 100% polyester Trevira CS. 65,000 Martindale.


































































Synthetic leather. 69% PVC, 1% PU, 10% COT, 20% PES. 50,000 Martindale.


































Maya fabric by Fidivi. 100% polyester Trevira CS. 100,000 Martindale.











































Bovine leather. Corrected and embossed. 0.8 - 1.0mm thick. Pigmented with protective top coat. Soft handle with a silky matte finish.





























Bovine leather. Corrected and embossed for enhanced larger grain appearance. 1.3-1.5mm thick. Pigmented and protective top coat. Soft handle with silky matte finish.































Bovine leather. Natural grain. 1.2-1.4mm thick. Aniline dyed. Finished with resnis and pigments. Protective coat with a soft waxy feel and semi-matte appearance.
































 (1868 - 1928)
C.R. Mackintosh was an skilled interior designer, painter and decorator who renown for his inventive interpretation of Art Nouveau. His 'Spook School' did not gain immediate notoriety due to his unconformity to the standards of French and Belgium Art Nouveau. Slowly he gained appreciation by the populous throughout Europe as well as his contemporaries of Art Nouveau whom he thought were excessive in their decorative style. His participation in such landmark events such as the 1902 exhibit of Modern Decorative Arts in Turin and the 1931 Exhibition of the Vienna Secession School solidified his place in the history of design.
 
(1868 - 1928)
C.R. Mackintosh was an skilled interior designer, painter and decorator who renown for his inventive interpretation of Art Nouveau. His 'Spook School' did not gain immediate notoriety due to his unconformity to the standards of French and Belgium Art Nouveau. Slowly he gained appreciation by the populous throughout Europe as well as his contemporaries of Art Nouveau whom he thought were excessive in their decorative style. His participation in such landmark events such as the 1902 exhibit of Modern Decorative Arts in Turin and the 1931 Exhibition of the Vienna Secession School solidified his place in the history of design.