Malik Gallery Collection

Round Tulip Dining Table - H 28" Dia 42"

Round Tulip Dining Table - H 28

Specifications

Tulip table with white, black or silver lacquered cast aluminum base. Laminate, marble, solid oak, or porcelain top. Glossy or matte finish on base. Marbles are available in matte or glossy finish. Porcelain tops are always matte in finish.

ITEM NUMBER

MC-T-1724

DIMENSIONS

Height: 28¼"
Diameter: 42¼"
Weight: 168 lbs.

PRICING

Black or White Laminate $2,366
White Carrara (n) $2,682
Carrara Statuarietto (n), Nero Marquina (n) $3,106
Arabescato Vagli (n) $3,255
Calacatta Oro (n) $4,377
Verdi Alpi (n) $2,998
White Carrara (c) $4,017
Black Marquina (c) $4,224
Emporador Dark (c), Bianco Arabescato (c) $4,648
Calacatta Oro (c) $5,758
Wood $3,439
Dekton Porcelain $4,486

NOTES

In stock in white laminate and white glossy Carrara. n - natural stone sealed and waxed, c - stone sealed with polyester coat.

Malik Gallery Collection

Round Tulip Dining Table - H 28" Dia 42"

top

laminate

black-laminate.jpg
laminate-white.jpg

marble

Arabescato vagli.jpg
Bianco Carrara natural.jpg
Calacatta Oro.jpg
Carrara statuarietto.JPG
Emporador Dark.jpg
Nero Marquina.jpg
Verdi Alpi.jpg

porcelain

3/4" thick porcelein top by Dekton.

dekton moone.jpg
dekton sirius.jpg

wood

Solid oak. Natural, stained or lacquered.

natural oak.jpg
oak black lacquered.jpg
oak cherry lacquered 5078.jpg
oak dark walnut stain 5065.jpg
oak light walnut stain 5026.jpg
oak mocha lacquered 5125.jpg
oak palisander stain 5135.jpg

base

glossy-black.jpg
glossy-white.jpg
matte-black.jpg
matte-silver.jpg
matte-white.jpg
Malik Gallery Collection

Round Tulip Dining Table - H 28" Dia 42"

COLOR OPTIONS

Designer

Eero Saarinen

(1910 - 1961) Born in Kirkkonummi, Finland. Saarinen studied in Paris and at Yale University, after which he joined his father's practice. Eero initially pursued sculpture as his art of choice. After a year in art school, he decided to become an architect instead. Much of his work shows a relation to sculpture. Saarinen showed a marked dependence on innovative structures and sculptural forms, but not at the cost of pragmatic considerations.